Brief capsules on new DVDs worth renting.

By R. Kurt Osenlund, The Good Life film critic


MICHAEL JACKSON'S THIS IS IT

While there's not much to write home about in terms of filmmaking craft, this commemorative doc. collage is nevertheless terrific entertainment, celebrating -- and not eulogizing -- the art, moves and enduring genius of arguably the greatest pop star of all time. It's amazing to see just how much Jackson still had it right up until his death, and to marvel at how music truly was his first language. (Now available)




BRIGHT STAR

Writer/director Jane Campion translates the work, love and tragically short life of English poet John Keats to the screen, creating her own kind of poetry in the process. Ben Whishaw is beguiling as Keats, and Abbie Cornish is exquisite as Keats's fashionista muse, Fanny Brawne. Named after Keats's famous poem to Fanny, "Bright Star" is one of 2009's best films, and certainly its most beautiful. (Now available)




COLD SOULS

Everyone's favorite everyman schlub actor, Paul Giamatti, plays himself (very well) in this surrealist comedy about a company that offers the ultimate cure for chemical imbalances: soul extraction. Giamatti opts for the procedure, reconsiders, then is forced to hunt down his soul, which ends up in the body of someone else. Though it doesn't always feel wholly original, this slightly tragic, very dry and technically accomplished comedy is a promising debut for filmmaker Sophie Barthes. (Available Feb. 2)

Behold! Some of the newest trailers for some of the most noteworthy upcoming releases.

By R. Kurt Osenlund, The Good Life film critic

ROBIN HOOD
I personally don't see why we need another Robin Hood movie, but if there must be one, I suppose the "Gladiator" duo of director Ridley Scott and star Russell Crowe is as good a team as any to deliver it. This new film focuses on the famous bandit's return from the Third Crusade, and his mission to save his homeland and its people from the Sherrif of Nottingham (Matthew MacFadyen). In other words, it's essentially about what every other Robin Hood flick is about. Cate Blanchett co-stars as Lady Marion.




THE A-TEAM
Speaking of things we don't need, here's another Hollywood remake of a popular TV show. Liam Neeson, Bradley Cooper, Quinton "Rampage" Jackson and Sharlto Copley of "District 9" portray the beloved quartet, while Jessica Biel and Patrick Wilson co-star. Looks to be plenty of fun, for sure, but also formulaic and hectically edited.




KNIGHT & DAY
Tom Cruise returns to the screen in this romantic comedy/spy thriller (doesn't every Tom Cruise film feel like it's "the return of Tom Cruise?"). Cameron Diaz co-stars as a woman who keeps finding herself caught up in the mishaps of Cruise's reckless secret agent. Unlike most, I enjoyed "Vanilla Sky," the last movie that saw these two stars share the screen. Their reunion could be just a "Mr. and Mrs. Smith" wannabe, or it could be one satisfying action-comedy cocktail.

MICHAEL FASSBENDER

By R. Kurt Osenlund, The Good Life film critic


For my money, German-born Irish actor Michael Fassbender is one of the most exciting screen stars working today. Since he appeared in the award-winning HBO miniseries "Band of Brothers" in the early 2000s, the hunky 32-year-old starred in a host of BBC shows until finally making himself known to American filmgoers by playing the warrior Stelios in Zack Snyder's green-screened swords-and-sandals epic, "300," in 2006. Since then, Fassbender's career choices have been challenging, artful and consistently intriguing -- so much so that, at this point, if Fassbender's name is in the cast list, chances are the movie is something special and unique.

Just look at three of Fassbender's most recent projects. In "Hunger," one of the very best films of 2009, Fassbender wowed in the leading role of Bobby Sands, a resolute martyr and the initiator of the Irish Hunger Strike that took place inside the walls of Northern Ireland's Maze Prison. The performance required Fassbender to lose a dramaic amount of weight, but even more affecting is the emotional intensity and gravitas of the gifted actor's work. In Quentin Tarantino's "Inglourious Basterds," another standout picture from last year, Fassbender appeared as a cheeky film critic/spy, and handily rounded out QT's international cast with wit and style.

Now, Fassbender delivers a wholly realistic supporting performance in "Fish Tank," writer/director Andrea Arnold's candid Cannes Jury Prize winner about an underpriveleged 15-year-old girl coping with the pains of adolescence. The UK's answer to "Precious," and the grittiest interpretation of teenage female angst since Catherine Hardwicke's "Thirteen," "Fish Tank" is painfully, unapologetically honest, and much of that honesty stems from the unvarnished turns by lead star Katie Jarvis and Fassbender, who portrays the older fellow who brings both pleasure and pain into the young girl's life. Even with relatively minimal screen time, Fassbender grabs the viewer once again, and once again displays his value as a character actor inside the body of a movie star. ("Fish Tank" opens at the Ritz Theatres in Philadelphia in February.)

"Fish Tank" trailer:

Brief capsules on new DVDs worth renting